Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts

Saturday, 14 April 2018

Sherlock Gnomes

Sherlock Gnomes (2018)

Sherlock Gnomes is a 2018 3D computer-animated comedy film directed by John Stevenson. A sequel to 2011's Gnomeo & Juliet, the film stars the voices of James McAvoy, Emily Blunt, Chiwetel Ejiofor, Mary J. Blige, and Johnny Depp. It was produced by Paramount Animation, Metro-Goldwyn-Mayer, and Rocket Pictures, with the animation service provided by Mikros Image. It is the first film from Paramount Animation to be entirely animated, and the first animated film from Metro-Goldwyn-Mayer since 2008's Igor.

Title: Sherlock Gnomes
Country: UK | USA
Language: English
Release Date: 23 March 2018 (Indonesia)
Runtime: 86 min
Director: John Stevenson
Writers: Ben Zazove (screenplay by), Andy Riley (story by)
Stars: Kelly Asbury, Mary J. Blige, Emily Blunt

Meanwhile, Gnomeo and Juliet, as well as the other gnomes, are moving to London. While there, Gnomeo and Juliet are declared the new leaders of the garden. Gnomeo leaves to find a flower for the garden, but is caught. He and Juliet have a brief argument, but then find out that all the other gnomes have gone missing. Sherlock and Watson show up at the scene to investigate, and after Gnomeo and Juliet help them escape from a sewer, they all team up.

I was hesitant about seeing "Sherlock Gnomes", as its simple wordplay title makes it easy to dismiss. I tell you honestly, I thoroughly enjoyed it, and frankly at the end I was surprised by how much I had enjoyed it. It is far funnier, and far more creative, than its throw-away pun of a title would suggest.

True, the story, which takes often broad comedic swipes at a well-established literary franchise, dares to ask its audience to accept the dual conceits that not only do we humans share our world with clay/ceramic garden gnomes which are actually living sentient creatures, but also that one of them is a hyper-intelligent investigator with a strong sense of duty. But once the story gets going (lead into by a Looney Tunes-esque news report), it does prove to have a surprisingly complex plot, in which there is in fact is a mystery in need of solving.

Performances of minor and supporting characters range from acceptable to very good. The leads are very well done. Depp's Sherlock is arrogant and socially awkward yet comically unaware of this; he's also dry almost to the point of being the "straight man". Ejiofor readily elicits sympathy for his exasperated and put-upon Watson. McAvoy's Gnomeo and Blunt's Juliet are played with a good range of emotions, although in my opinion McAvoy goes further, for comedy/action effect.

With so many full-CGI movies today, especially those ostensibly meant for children, it's easy for the viewer to get jaded and miss the details. This is unfortunate, because often the filmmakers put great detail into their films which enrich the viewing, even if those details are only seen subconsciously. "Sherlock Gnomes" is just such a movie, with often stunningly-rendered CGI. In an "over the shoulder" shot of Sherlock talking with Juliet, the side of his pointy, aquiline nose can be seen; it shows flecks and minor chips like an actual ceramic figure would have. This gives more visual weight to the scene than it would've had if that surface were rendered simply as a smooth plane. In another scene, we see that the apron strings tied around Juliet's back are not three-dimensional moving objects; they are in fact rendered to look hand-painted on, as they would be on an actual garden figure. A city scene of people walking past shops is so well-rendered, for a moment I actually thought I was seeing footage rather than animation. Along with the quality of the CGI, this film also has highly creative visuals. Sherlock's "mind palace" sequences are beautifully rendered as line-art animations.

It is this rich detail which makes the film's one down point stand out so poorly. While the movie's soundtrack features much music by Elton John and Bernie Taupin, this is not a musical. For me, the inclusion of what was in essence a music video in the middle of the story was very jarring. The song is performed by a doll voiced by Mary J. Blige. Her character is well-rendered, and her dialogue is nicely delivered; however her singing style combined with the over-produced music made the lyrics almost entirely unintelligible. I found myself wandering off, which was regrettable because I realized I had been missing more great visuals. In the background are very impressive "dance troupe" animations which clearly have Ziegfeld/Berkeley/Esther Williams-esque choreography. These are easy to miss but definitely deserve to be noticed.

Some weak gags in the trailer are not used in the film, to the film's improvement; one that does remain leads to a "Hound of the Baskervilles" reference which works well.


March 23, 2018, by Paramount Pictures, unlike its predecessor, which was distributed by Touchstone Pictures

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Thursday, 12 April 2018

Ferdinand

Ferdinand (2017)

Ferdinand is an animated comedy adventure movie of 2017 produced by Blue Sky Studios, Davis Entertainment, and 20th Century Fox Animation. The film is based on the book Munro Leaf and Robert Lawson's The Story of Ferdinand, written by Robert L. Baird, Tim Federle and Brad Copeland and directed by Carlos Saldanha. The film features John Cena's voice as a titular role, along with Kate McKinnon, Anthony Anderson, Bobby Cannavale, Peyton Manning, Gina Rodriguez, Daveed Diggs, Gabriel Iglesias, Miguel Ángel Silvestre and David Tennant. The story written by Ron Burch, David Kidd and Don Rhymer, follows a pacific pacifist bull named Ferdinand who refuses to participate in bullfights but is forced to return to the arena where his belief is challenged by facing the world's largest matador.

Title: Ferdinand
Country: USA
Language: English
Release: 11 November 2017 (USA) 
Runtime: 108 min
Director: Carlos Saldanha
Writers: Munro Leaf (based on the book by), Robert Lawson (based on the book by)

Ferdinand, a little bull, prefers sitting quietly under a cork tree just smelling the flowers versus jumping around, snorting, and butting heads with other bulls. As Ferdinand grows big and strong, his temperament remains mellow, but one day five men come to choose the "biggest, fastest, roughest bull" for the bullfights in Madrid and Ferdinand is mistakenly chosen. Based on the classic 1936 children's book by Munro Leaf.

It seems that some people think the jokes in this movie fall flat and there is too much unnecessary clutter, but I honestly really really loved this movie. It was a reluctant choice after not finding anything else playing that we wanted to see, but man am I glad we saw it!

Ferdinand is the cutest bull I've ever seen, and I have to say I'm not familiar with this studio's other films but I thought the animation style was wonderful. I especially liked the wide range of expressions on Ferdinand's face throughout the movie, with a few close-ups that really captured the perfection of those expressions well.

The story itself was inspirational and heartwarming, full of examples and discussions on being yourself and breaking the mold and not letting anyone else define who you are. There were some heavy-handed moments that I'm not sure a younger viewer would understand, or possibly that may be too bleak for a very young viewer. Some of the humor was a little more adult-oriented, but most of it was clean, although sometimes rather stupid. The ending is pretty much exactly what you'd expect of a feel-good kid's movie, and I liked it very.



The film premiered on December 8, 2017 at the Dubai International Film Festival and was released theatrically in the United States on December 15, 2017, in 3D and 2D by 20th Century Fox, and received a nomination for Best Animated Feature at the Academy Awards.

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Coco

Coco (2017)

Coco is an animated film produced by Pixar Animation Studios and released by Walt Disney Pictures. Based on original ideas by Lee Unkrich, it is directed by it and directed by Adrian Molina. The story follows a 12-year-old boy named Miguel Rivera who was accidentally transferred to the land of the dead, where he sought help from his deceased great-grandfather to return him to his family among the living.

Title: Coco
Country: USA
Language: English | Spanish
Release: 21 November 2017 (USA)
Runtime: 105 min
Directors: Lee Unkrich, Adrian Molina (co-director)
Writers: Lee Unkrich (original story by), Jason Katz (original story by)
Stars: Anthony Gonzalez, Gael García Bernal, Benjamin Bratt

Despite his family's baffling generations-old ban on music, Miguel dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz. Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector, and together, they set off on an extraordinary journey to unlock the real story behind Miguel's family history.

Coco tells the story of young boy named Miguel living in Mexico (Coco is his great grandmother). Miguel loves music and must keep his love a secret from his family who has forbidden music of any kind since the days of his great great grandmother. On Día de Muertos, Miguel wants to enter a contest to showcase his musical talent, but his grandmother intervenes, reiterating the family's ban on music.

In his hunt for a suitable guitar to play, Miguel finds himself in the land of dead, meeting the spirits of those who have passed on. On his adventure he meets his musical hero, much of his deceased family, and a strange man who asks for his help and quickly becomes a close friend. Along the way, Miguel helps his new friend and his friend helps him understand the true significance of Día de Muertos.

Of course, the title character (Coco) turns out to play a vital role before the movie is over. When the moment arrives, she delivers something powerful, and it's beautiful. It moved me in a very satisfying way that felt well-earned and authentic, rather than manipulative, the way many movie moments of this sort feel.

Quick sidebar: when I took Spanish in high school, my teachers would occasionally incorporate culture from Spanish-speaking countries (usually Mexico) into the lessons. In some of these lessons, I learned about Día de Muertos. Sort of. I'm not sure if the lessons were lacking or if I just wasn't paying much attention to them. Regardless, I learned more about Día de Muertos from Coco than I did in four years of high school Spanish classes.

In high school, my understanding of Día de Muertos was that it was basically a Mexican Halloween. They raised spirits from the dead and played music or something, as I understood it. It seemed silly to me. After watching Coco I realized that the tradition is anything but silly.

It's not about the dressing up or the food or the music. It's about family and remembering those that came before us. Leave it to Pixar to not only entertain me, but also educate me about a rich and wonderful tradition of another culture.


The Coco concept is based on a Mexican holiday on the Day of the Dead. The film was written by Molina and Matthew Aldrich from stories by Unkrich, Jason Katz, Aldrich and Molina. Pixar began developing animations in 2016; Unkrich and some film crew visited Mexico for inspiration. Composer Michael Giacchino, who has worked on previous Pixar animation features, compiled the score. The sound of the film features the stars of Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach, Renée Victor, Ana Ofelia Murguía, and Edward James Olmos.


Coco aired on October 20, 2017 during the Morelia International Film Festival in Morelia, Mexico. It was theatrically released in Mexico the following week, the weekend before Día de los Muertos, and became the best-selling film of all time in the country. The album was released in the United States on November 22, 2017 and was praised for its animation, vocal performances, music, emotional tales, and respect for Mexican culture.

The recipient of several awards, Coco was selected by the National Board of Review as Best Animation Film 2017. The film won two Academy Awards for Best Animated Feature and Best Original Song ("Remember Me"). In addition, he also won Best Animated Film at BAFTA Awards, Golden Globe Awards, Critical Choice Film Awards, and Annie Awards.

Really very popular animated film

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The Nut Job 2: Nutty by Nature

The Nut Job 2: Nutty by Nature (2017)

The Nut Job 2: Nutty by Nature is a 2017 3D computer-animated comedy film directed by Escape from Planet Earth creator Cal Brunker and written by Brunker, Bob Barlen and Scott Bindley. A sequel to The Nut Job (2014), it stars the voices of Will Arnett, Maya Rudolph, Jackie Chan, Katherine Heigl, Bobby Moynihan, Bobby Cannavale, Isabela Moner, Jeff Dunham, and Gabriel Iglesias. Produced by Gulfstream Pictures, Redrover International and ToonBox Entertainment, the film was released theatrically on August 11, 2017, by Open Road Films.

Title: The Nut Job 2: Nutty by Nature
Country: South Korea | Canada
Language: English
Release Date: 11 August 2017 (USA)
Runtime: 91 min
Director: Cal Brunker
Writers: Bob Barlen, Cal Brunker, Scott Bindley, Peter Lepeniotis
Stars: Will Arnett, Maya Rudolph, Bobby Cannavale

Surly and his friends, Buddy, Andie, and Precious, discover that the mayor of Oakton City is cracking one big hustle to build a giant amusement park, which in turn will bulldoze their home. The animals must stop the mayor, his daughter, and a mad animal control officer in order to take back the city park.

Expectations admittedly were not high going into 'The Nut Job 2: Nutty By Nature'. Didn't think that highly of the first film, while not hating it (a case of great animation and some vocal standouts but very lazy writing), and like with the first film the advertising was not promising at all. Judging from how a number of sequels fare, the point of 'The Nut Job' actually needing a sequel was questioned.

Being a lifelong fan of animation and seeing as there are some good actors in the vocal cast, doubts were cast aside despite not expecting much. So it was a surprise that 'The Nut Job 2: Nutty By Nature' was much better than expected, actually not being a bad film and better than the advertising made it look, and was an improvement over its predecessor. It may not be a great film and not a film that will go down in history or be remembered for years to come, but it could have been far worse.

'The Nut Job 2: Nutty By Nature' has a number of strengths. The animation is great, and more polished than the animation in 'The Nut Job'. It's colourful and vibrant-looking, with admirable attention to detail in the expressions (especially with Buddy) and backgrounds and the characters are cute without being cutesy and look more polished in design. The bright and breezy soundtrack is also very catchy, even enhancing what's going on and there is nothing that makes you groan like "Gangnam Style".

On the most part, the voice acting is very good. A bubbly and sassy Maya Rudolph, a ray of sunshine and really makes the film come alive, is the standout, and Jackie Chan was a big surprise. He seemed a bizarre casting choice on paper but he came over as very lively and also gave some verve. Bobby Cannavale is charming and amusing, and while Buddy is largely silent (ah the power of making a character fun and likable through actions and expressions primarily with not so many words) Tom Kenny proves how talented he is and the chemistry between Buddy and Surly gives the film some heart.

Will Arnett and Katherine Heigl are much better than before. Arnett this time doesn't take Surly's surliness to extremes and he doesn't come over as too snarky or smug, voicing with more energy and wit. Heigl tones down the Rom-com cutesiness and does well being the voice of reason. Generally the writing is better. Liked the relatable and relevant messages and how they were dealt with in the film, children and adults alike will appreciate them. Likewise with the homages, recognising them and how they were integrated put a smile on my face, and there were some witty one liners and amusing gags that are generally more tasteful. Oh and the mice are scene stealers.

However, while 'The Nut Job 2: Nutty By Nature' is tighter paced and there is more of a story it feels too much this time round. The story can feel too busy and rushed, with too much going on and too many characters. This does sacrifice depth to the characters and the subplots, which tend to be underdeveloped. The humour doesn't come off consistently either, needing sharper timing and a less frenetic pace.

Parts did feel tired and are more juvenile than witty. While the humour is more tasteful generally, one gag does come over as vulgar and leaves a bad taste in the mouth involving vomiting out food and eating it up again (not to be viewed while eating).

A few of the characters don't work, especially the hugely irritating Heather voiced in an overbearingly shrill manner by Isabela Moner. The clichéd mayor character annoys more than he intimidates. Gunther is wonderfully voiced by Peter Stormare and he is the fun and menacing character that the mayor should have been, but there are times where the character is at odds with the rest of the film's tone.

Source from: http://www.imdb.com/title/tt2395427/reviews?ref_=tt_urv

Although classified as old movies, but it would not hurt if you watch again, because the movie in my opinion bener bener extraordinary good

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Smurfs: The Lost Village

Smurfs: The Lost Village (2017)

Smurfs: The Lost Village is a 2017 American 3D computer-animated fantasy adventure comedy film produced by Sony Pictures Animation and The Kerner Entertainment Company for Columbia Pictures. Sony, LStar Capital and Wanda Pictures co-financed the film.It is based on The Smurfs comic book series created by Belgian comics artist Peyo and is a reboot of Sony's previous live-action/animated films. It was written by Stacey Harman and Pamela Ribon and directed by Kelly Asbury, and stars the voices of Demi Lovato, Rainn Wilson, Joe Manganiello, Mandy Patinkin, Jack McBrayer, Danny Pudi, Michelle Rodriguez, Ellie Kemper, Ariel Winter, Meghan Trainor, and Julia Roberts. In the film, a mysterious map prompts Smurfette, Brainy, Clumsy and Hefty to find a lost village before Gargamel does.

Title: Smurfs: The Lost Village
Country: USA | Hong Kong
Language: English
Release: 7 April 2017 (USA)
Runtime: 90 min
Director: Kelly Asbury
Writers: Stacey Harman, Pamela Ribon
Stars: Demi Lovato, Rainn Wilson, Joe Manganiello

In this fully animated, all-new take on the Smurfs, a mysterious map sets Smurfette and her best friends Brainy, Clumsy and Hefty on an exciting and thrilling race through the Forbidden Forest filled with magical creatures to find a mysterious lost village before the evil wizard Gargamel does. Embarking on a roller-coaster journey full of action and danger, the Smurfs are on a course that leads to the discovery of the biggest secret in Smurf history.

Well this is the first time Smurfs movie was done in 3D animation. The previous 2 movies were all combined with humans with some well known actors and actresses played in the movie such as Neil Patrick Harris, Jayma Mays and Hank Azaria. The animation of this movie was done very beautifully and I am pretty sure the 3D effects are very good (although I did not see the movie in 3D, but I can imagine some scenes that would be very great seen in 3D). Furthermore, the movie was shot in 3D and not converted into 3D at later stage like other recent live action movies. So the effects would definitely be good.

The movie seemed to be aimed for children and family as there was no heavy story line and the movie also felt very colorful, with few nice songs here and there. The jokes/humors were not the adult type and should be easily understood. So parents should not be worried of bringing their kids to see this movie. My wife and I enjoyed the movie as it was quite light and was funny with some touching moments as well, plus some good moral message.

Because the movie was aimed for the younger children audience and putting emphasis on the cuteness of the smurfs, it should not be compared to heavier animated movies like Disney or Pixar production such as Toy Story, Moana and so on. I am confident that if you go to see this one with the objective of being entertained and had some good laughs and to see those cute smurfs, you would definitely be satisfied.

In addition to the above, it also had some other well known names providing their voices such as Julia Roberts, Michelle Rodriguez even Meghan Trainor who also sung a song titled I'm A Lady. By the way, during the end credit, there was some brief funny scene that you could enjoy. So be sure to wait in the cinema and watch this part before you leave.

So if you are a fan of Smurfs and want to see them running around, providing funny moments, plus the usual chasing of Gargamel and Azrael, then you would not be disappointed. But if you are looking for some serious animated movie, then beware that this is not that kind of movie.



Although classified as old movies, but it would not hurt if you watch again, because the movie in my opinion bener bener extraordinary good

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The Boss Baby

The Boss Baby (2017)

The Boss Baby is a 2017 American computer-animated comedy film loosely based on the 2010 picture book of the same name by Marla Frazee and produced by DreamWorks Animation. Directed by Tom McGrath and written by Michael McCullers, the film stars the voices of Alec Baldwin as the title character, along with Miles Bakshi, Steve Buscemi, Jimmy Kimmel, Lisa Kudrow, and Tobey Maguire. The plot follows a baby who is a secret agent in the war for adults' love between babies and puppies.

Title: The Boss Baby
Country: USA
Language: English | Spanish
Release Date: 12 March 2017 (USA)
Runtime: 97 min
Director: Tom McGrath
Writers: Michael McCullers, Marla Frazee (based on the book by)
Stars: Alec Baldwin, Steve Buscemi, Jimmy Kimmel

Seven-year-old Tim Templeton has always had an overactive imagination--and for the past seven years--life has been all peaches for him, getting all the love and affection from his caring parents. However, after the arrival of Boss Baby, an unexpected new brother dressed in a black suit complete with a tie and a briefcase, Tim won't be the centre of attention anymore, as the powerful sibling takes over the whole house, robbing him of all care, little by little. But, soon, Tim and the new Boss in a diaper will need to put differences aside and join forces, as a sneaky scheme involving the head of Puppy Co. threatens to tilt the balance of power towards their insidiously adorable furry antagonists, not to mention that the next Pet Convention is only in two days. Brothers, hurry up.

Thus movie sends a hate message to President Donald Trump. It is also a comedy Masterpiece that is ready using the photo book in a flashback.

Set in the late 1980's (As flashbacks from the photo book told it), this original movie is inspired from the 2010 book of the same book (Which is based on). The lead actor Alac Baldwin plays as the titlelar role that speaks like an adult and is actually a secret agent for BabyCorp.

My favorite part is him: When he open the rocket hatch releasing ALL the Forever Puppies in Las Vegas and eventually saves his brother Tim's parents.

The ending is very heartwarming and the last part sets in the style for the most parts of E.T. The Extra Terrestrial. The tail end, eventually, had the new girl born on the movie's release date of March 31st, 2017.

That is one whole movie that is set the audience to play time after the movie ends.


The Boss Baby premiered at the Miami International Film Festival on March 12, 2017, and was released by 20th Century Fox on March 31, 2017. Upon release, the film received mixed reviews from critics and grossed $500 million worldwide against its $125 million budget. The film received Best Animated Feature nominations at both the Academy Awards and Golden Globes.


A sequel is scheduled to be released on March 26, 2021, while a Netflix TV series, The Boss Baby: Back in Business premiered April 6, 2018.

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The LEGO Batman Movie

The LEGO Batman Movie (2017)

The Lego Batman Movie is a 2017 3D computer-animated superhero comedy film, produced by Warner Animation Group. It was directed by Chris McKay, and written by Seth Grahame-Smith, Chris McKenna, Erik Sommers, Jared Stern and John Whittington, and produced by Dan Lin, Roy Lee, Phil Lord and Christopher Miller. Based on the Lego Batman toy line, the film is an international co-production of the United States, Australia, and Denmark, and the first spin-off installment of The Lego Movie franchise. The story focuses on Batman as he attempts to overcome his greatest fear to stop Joker's latest plan, with Will Arnett reprising his role as Batman for the film, along with Zach Galifianakis, Michael Cera, Rosario Dawson, and Ralph Fiennes.

Title: The Lego Batman Movie
Country: USA | Denmark
Language: English
Release: 10 February 2017 (USA)
Runtime: 104 min
Director: Chris McKay
Writers: Seth Grahame-Smith (screenplay by), Chris McKenna (screenplay by)

Bruce Wayne(Batman) is scared of having a family and he has to deal with it when he accidentally adopted Dick Grayson (Robin). After The Joker gets sent to the Phantom Zone, Batman soon finds out it was The Joker's plan to get sent there and get all the villains in there out. It is Batman and his friend's job to stop The Joker.

Let's be honest for a second and agree that The Lego Movie should never have worked. On paper, it's a horrible idea. Yet, Phil Lord and Chris Miller did what they always do - take a strange and unwieldy idea and turn it into something great. Including Batman in The Lego Movie seemed a bizarre choice, but the Will Arnett voiced character was a highlight for pretty much everyone who watched it and it didn't take long until a spin off was announced. With Lord and Miller only serving as producers this time, the satisfaction of The Lego Movie wore off and we were all sceptical about whether the spin off was a good idea. It turns out that, just like last time, we never needed to worry at all.

When he isn't fighting crime as masked vigilante Batman, Bruce Wayne (Arnett) lives in recluse in his mansion with his butler Alfred (Ralph Fiennes). His arch nemesis, the Joker (Zach Galifianakis), rallies together an endless group of villains to attempt to rid Gotham City of the Batman, all while new Police Chief Barbara Gordon (Rosario Dawson) proposes that Batman abandon his solo nature and work alongside the law enforcement. After a misunderstanding, Wayne also accidentally adopts local orphan Dick Grayson (Michael Cera), who he reluctantly takes on as a protégé. Eventually, it is down to Batman, Grayson, Gordon and Alfred to battle the Joker and save Gotham City.

If it sounds kind of mental, it's because it is. If you thought The Lego Movie was high octane and relied on energy, it pales in comparison to The Lego Batman Movie. But, once again, here we have a film that is not only zany and energetic but also consistently funny, mindbogglingly inventive, nimbly structured and genuinely touching. While it loses the surprise effect that made The Lego Movie such a treat and its conclusion doesn't rival the sudden foray into live action that made its parent film so poignant, Lego Batman remains a highly enjoyable film that puts a smile on your face from beginning to end.

I would comfortably say that this is a funnier film than The Lego Movie. The jokes come thick and fast, a large percentage of the film is more than prepared to drop at least three jokes per minute and they all land. There are digs at other recent Batman stories - most notably Suicide Squad and Batman v Superman, obviously - and multiple other references to other films, but Lego Batman even finds room for more adult humour (how the number plate on Bruce Wayne's car made it into the final cut is hilariously baffling to me) and countless sight gags. The faux stop motion animation style carves the way for some brilliant little visual flourishes that add depth to the film's comedy - it isn't just content to run one joke into the ground, rather it consistently finds new comedic territory and makes every joke its own.

The way Lego Batman even lands on something genuinely moving in its finale is even more impressive. You could make a case for the film's central theme being a bit obvious when it comes to Batman - the whole film is pegged around isolation and loneliness and how you combat that to form a human relationship of any kind - but it handles it excellently. It's written smartly enough to simultaneously act as a life lesson for small kids as well as a powerful sentiment to older viewers. The fact that it has a better grasp of Batman as a character than Batman v Superman did isn't exactly surprising, but what is surprising is just how committed to this theme the film really is.

It doesn't just form it around Batman. Young Dick Grayson feels the same emotional distance, Barbara Gordon only wants to do well in her first challenge as the new Police Chief, Alfred wants to help his adoptive son refocus his life and even the Joker just wants to comfortably know that he really is Batman's arch nemesis. It all sounds silly, and of course it is, but Lego Batman excels whenever it combines the silly and the thoughtful. Thankfully, that's most of its run time. The voice acting is faultless all round, too. Arnett remains the obvious highlight for too many reasons than can be explained, but Michael Cera, Ralph Fiennes, Rosario Dawson, Jenny Slate, and Channing Tatum are all delightful as well.

Lego Batman's biggest triumph, though? It perfectly reminds us that the concept of a Lego Movie shouldn't put us off anymore. There have been weirder franchises in cinematic history, and while this sounded like one big cash grab from the word go, everything we have seen in this Universe so far has been terrific. Lego Batman loses that surprise element because about ten minutes into the film you stop worrying, you just know you're going to have a blast. I mean, how could you not? The less said about a plethora of other characters who appear in the film's second half, the better - but it's hilarious and unique and wonderful all at once. If just one film drops in 2017 that's more fun than this, what a year it will be.



The Lego Batman Movie premiered in Dublin, Ireland on January 29, 2017, and was released in the United States on February 10, 2017. Internationally, the film was released in 3D, RealD 3D, Dolby Cinema, and IMAX 3D and Premium Theaters Cinemark XD, RPX, AMC Prime, Ultrascreen and BigD. The film received positive reviews from critics, who praised its animation, vocal performances, musical score, visual style and humor and grossed $312 million worldwide.

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Sing

Sing (2016)

Sing is a 2016 American computer-animated musical comedy-drama film produced by Illumination Entertainment. It was directed and written by Garth Jennings, co-directed by Christophe Lourdelet and starring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton, and Tori Kelly. The film is about a group of anthropomorphic animals that enter a singing competition, hosted by a koala hoping to save his theater.

Title: Sing
Country: Japan | USA
Language: English | Japanese | Ukrainian
Release: 21 December 2016 (USA)
Runtime: 108 min

Refusing to forsake the once glorious theatre inherited by his father, slightly delusional and utterly dedicated to his never-ending affection for show business, Buster Moon, the ambitious koala, inevitably finds himself in dire straits watching hopelessly the ticket sales rapidly decline. But is Buster Moon, the greatest showman, as hopeless as he seems? Fortunately, in one of those spur-of-the-moment decisions, the visionary koala's mind will give birth to a simple, yet fantastic idea for a show that no one would be able to resist, and hopefully, save his theatre: a singing competition. Now, every sunny daydreamer in town gets a chance to shine, and as the word of a grand prize spreads like wildfire causing a big commotion in the city, the stage will ultimately be their battlefield. From tiny, yet overconfident and suave alto saxophonists, to heavenly-voiced bashful soloists, anybody can dream big; after all, all creatures great and small are welcome to the Moon Theatre.

Well, I can certainly understand why the Golden Globes loved Illumination's thespian-infested movie. ​ Based around something as universally understood as music, Sing seems to be an appropriate first-time directing effort by the duo Christopher Lourdelet and Garth Jennings (who directed live action before). The result of their hard work brings a passable accomplishment by the studio's sixth ever full-length feature, even if no studio gamechanger nonetheless.

The feature takes place in an unnamed San Fran-Los Angeles-esque city painted by Miami, home to many anthropomorphic mammals, reptiles, birds, primates, household pets, cephalopods, arachnids, and whales. We focus on six mammals: one a producer, five the lucky choices for his theater-saving singing competition. Plenty celebrity voices deliver occasionally terrific singing, although the minor roles' unfitting voices draw back the overall quality. Surprisingly however, the anthropomorphic individuals' subplots are all masterfully balanced in their yearnings on the road to fame and fortune:

Buster Moon the koala (Matthew McConaughey) wants to keep the theater financially stable after his father passed down the torch. Despite being the lead, he is the least interesting cast member, more existing to vocalize the cliché morals. Though he still plays great off the more colorful characters, including his dimwitted senior secretary, Miss Crawly the iguana.

Rosita the pig (Reese Witherspoon) wants to follow her passion away from her uncaring husband and twenty-five children. She soon meets unexpected challenges when the competition pairs her with an overly optimistic pig named Gunter. This widely marketed chunk of ham shockingly gets little stage time; and I should also mention how he flaunts an indistinguishable European accent exaggerated to the point of annoyance. The immature will worship him like Moccus, leaving adults to gag a bit while watching an overweight swine in a unitard stereotyping western culture.

Johnny the gorilla (Taron Egerton) wants to escape his father's criminal lifestyle, and follow his heart for the microphone. Boys across all ages will relate to this highly soulful musician, despite a phoned in resolution to his subplot.

Ash the porcupine (Scarlett Johansson) seeks public appreciation alongside her boyfriend/musical partner. While her story feels relatively unengaging compared to the others, she still brings a nice voice, especially when her guitar strums electrify her quills to the point of showering out.

Mike the mouse (Seth MacFarlane) needs the prize money to pay back a bear gang who see him as a tasty meal. His ratty account maybe could have benefited from higher stakes against the law; but it does not matter anyway, for this crude comedian providing the voice amazingly makes a tiny crooner so ruggedly lovable with some spice thrown in.

Meena the elephant (Tori Kelly) cannot pursue her love for singing, as her glossophobia gets in the way, with no thanks to her arrogant grandfather. She has the most poorly balanced yet easily relatable experience for all the boys and girls facing a similar fear.

Together, doubt gets conquered in a unified walk to fame and fortune. So who ends up winning the competition?

It doesn't matter! They are all too introspective to notice one another, as these well-rounded individual stories have zero interweaving amongst one another. In the end, Sing cares less about teamwork, and more about getting children to worship the most popular hits by Lady GaGa, Katy Perry, Taylor Swift, Carly Rae Jepsen, and everyone else out there (just stay through the credits, the list of songs used lasts over a minute). It doesn't matter if the human artist singles are sung by cute little animals; accompanied by predictable fart jokes, evidence proves why this movie aims squarely toward kids with an affinity of music over rules, offering the parents nothing more than a few scattered chuckles to at least manage without booing the artist offstage.



The film includes more than 60 songs from famous artists and also has an original song by Stevie Wonder and Ariana Grande called "Faith," which was nominated for a Golden Globe. It screened on the Toronto International Film Festival on September 11, 2016, premiered at Microsoft Theater on December 3, 2016 and was released in the United States on December 21, 2016, by Universal Pictures. The film received generally positive reviews and grossed $634 million worldwide. Along with The Secret Life of Pets, it marked the first time that Illumination Entertainment released two feature films in the same year.

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Trolls

Trolls (2016)

Trolls is a 2016 American 3D computer-animated musical film[7] based on the Troll dolls created by Thomas Dam. The film was directed by Mike Mitchell and co-directed by Walt Dohrn, written by Jonathan Aibel and Glenn Berger and based on a story by Erica Rivinoja. The film features the voices of Anna Kendrick, Justin Timberlake, Zooey Deschanel, Russell Brand, James Corden and Gwen Stefani. The film revolves around two trolls on a quest to save their village from destruction by the Bergens, creatures who eat trolls.

Title: Trolls
Country: USA
Language: English
Release: 24 October 2016 (USA)
Runtime: 92 min
Directors: Mike Mitchell, Walt Dohrn (co-director)
Writers: Jonathan Aibel (screenplay by), Glenn Berger (screenplay by)
Stars: Anna Kendrick, Justin Timberlake, Zooey Deschanel

From the creators of Shrek comes the most smart, funny, irreverent animated comedy of the year, DreamWorks' Trolls. This holiday season, enter a colorful, wondrous world populated by hilariously unforgettable characters and discover the story of the overly optimistic Trolls, with a constant song on their lips, and the comically pessimistic Bergens, who are only happy when they have trolls in their stomach. Featuring original music from Justin Timberlake, and soon-to-be classic mash-ups of songs from other popular artists, the film stars the voice talents of Anna Kendrick, Justin Timberlake, Russell Brand, James Corden, Kunal Nayyar, Ron Funches, Icona Pop, Gwen Stefani, and many more. DreamWorks' TROLLS is a fresh, broad comedy filled with music, heart and hair-raising adventures. In November of 2016, nothing can prepare you for our new Troll world.

Walt Dohrn and Mike Mitchell, the guys behind some of the Shrek franchise, bring Thomas Dan's iconic, legendary "Good Luck Trolls" to life. The plastic figurines with vibrant, up-combed hair. In 2010, DreamWorks Animation announced they were going to make a feature length movie and then eventually bought the brand outright back in 2013.

All the trolls party happily in the sanctuary of the woods, far away from the miserable, troll- eating Bergens, who twenty years previously had attempted to feast on the go-lucky trolls to bring them happiness. However, the trolls' loud partying puts a spotlight on their camp resulting in few being captured ensuring a daring, rescue mission.

Anna Kendrick who's a movie star that can sing superbly, already known for her vocal talents in Into The Woods and Pitch Perfect, plays Poppy, the over-positive, highly-excitable and super- enthusiastic Troll princess that enjoys loud parties, dancing, singing, hugging and scrapbooking, leads the rescue party with the reluctant, over-paranoid, highly-negative and super-gloomy Troll, Branch. Branch, played by Superstar singer-come-actor Justin Timberlake.

You think you know a voice until the see the credits of an animated movie as it's surprising to hear the all-star cast including Zooey Deschanel, Russell Brand, James Cordon, Gwen Stefani and Christopher Mintz-Plasse. All giving great voice performances that capture each characters personality.

On top of the vivid, ultra-colourful animation, there's the catchy soundtrack that comes with it. Being a musical it's packed with recognisable yet fresh songs that gives a contagious vibe like no other. The songs hit home each time, whether it be for comic effect, emotional sadness or joyful, feel-goodness. My God-Daughter was dancing away at the end and no-one was immune to a little bopping.

There's a good moral story behind Trolls, involving the pursuit of happiness which is at times, a little sad and touching , but also uplifting and encouraging at the same time, it's especially tearful when you see some characters come out in their true colours. I actually can't stop listening to some of the soundtrack.

It's not all out funny but the lack of comic value is balanced out with incredible cuteness and rapid interjections of silly, lovable characters. It's creative, original and wholly refreshing that's a colourful delight to watch. Never being an owner of a troll, but I actually want one now.



The 33rd animated feature film produced by DreamWorks Animation, the film premiered on October 8, 2016, at the BFI London Film Festival and was theatrically released in the United States on November 4, 2016, by 20th Century Fox.[9] The film grossed $344 million worldwide against its $125 million budget and received an Academy Award nomination for Best Original Song for "Can't Stop the Feeling.

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